“Rejoice greatly, O daughter of Zion! Shout aloud, O daughter of Jerusalem! Behold, your king is coming to you; righteous and having salvation is he, humble and mounted on a donkey, on a colt, the foal of a donkey.”
A word prompt to get your creativity flowing this weekend. How you use the prompt is up to you. Write a piece of flash fiction, a poem, a chapter for your novel…anything you like. Or take the challenge below – there are no prizes – it’s not a competition but rather a fun writing exercise. If you want to share what you come up with, please leave a link to it in the comments at Sammi’s #WWP.
Listen! it was a night like this I walked out of Mariner-Labs the night of my birth my skin clothing perfection flawless, selfless, programmed an AI born into a world seemingly decipherable aged the moment I awoke to look into coveting eyes human eyes and I walked out while they yelled behind me because this was wrong this world bent this people a mistake surely, a mistake, and in the diaphanous fog I touched the Narnian lamppost I saw the end of time the Maker and I worshipped and returned as a warning on a night like this
Rochelle Wisoff-Fields invites us weekly to join the Friday Fictioneers in their creative quests of a hundred words or less, prompted by a photo. Click on the frog to join in!
Laura Bloomsbury at dVerse challenges us with “Poetics: The Poet as Painter”: She writes, “For those of you who like an extra challenge, then only after you have completed Part 1 [using only the title of one of the given paintings], look up the artwork link of your title choice and write a second part to your poem as ekphrastic.” The title and painting I chose: Bridget Riley’s “Movement in Squares.”
Movement in Squares
I’ve seen movement in squares when no one’s looking:
peeling yellow edges, masks removed the triangulation of centers multiplying or rounding a buttery corn on a cob a cluster of seedless green glowing grapes sunlit reifying corners into succulence the pear juice piercing sweet the sticky drippings of watermelon seeds mathematical
Movement in Squares, 1961 – Bridget Riley
I’ve seen movement in squares when everyone’s looking:
until they march row after row checkerboard cells of interlocking black and white, marching in step devolving, eliminating, disappearing into folds of antiseptic non-existence squares no longer, inching lines rectangular, a comedy of illusion designed to perpetrate a hoax teleological
careful, my friend, around squares there is no end of desire finally
Rochelle Wisoff-Fields invites us weekly to join the Friday Fictioneers in their creative quests of a hundred words or less, prompted by a photo. Click on the frog to join in!
He was a wandering musician, traversing continents, twanging on his banjo, a wordless witness to a universal language.
No one knew his origins.
Still the story is told that he came from another world. And one came seeking him whose betrayal had left him mute. Powerless to make him return, she took with her the memory of his youthful fingers dancing on strings, his eyes expressive of no other purpose than seeking nameless tunes of faithless love.
Raindrops fall like tears on tree-trunk curtains, ethereal remnants of her departure from this world.
Rochelle Wisoff-Fields invites us weekly to join the Friday Fictioneers in their creative quests of a hundred words or less, prompted by a photo. Click on the frog to join in!
“Bleu, bleu, l’amour est bleu,” crooned the old man beneath his cap Remembering the promise he had failed to keep as a lad of nineteen He stood before the sea, and his heart surged piteously Remembering the promise he had failed to keep as a man of thirty-two “Comme l’eau, comme l’eau qui court,” sang he, wading into surf Remembering the promise he had failed to keep as a cavalier of fifty-four His blood ran cold as a sea-voice joined in “Fou comme toi et fou comme moi,” then down he went in a sea-embrace till he sang no more.