Don’t bother me now, I’m in a musical fog
of unknown dimensions, an alien force
overtaking my mind, sane thoughts crumple over,
dull murdered reason breathes its last
while treacherous tides lay siege
No one can argue against the great advances of science and technology in virtually every sphere of modern life. We know more today than we have ever known. But we are more superstitious today than ever. Why?
Superstitions have lasted for millennia across every class, culture, and clan known to man. Did you know that the first cave paintings were probably part of a ceremony for good fortune in hunting?
I know brilliant scientists, researchers, doctors and surgeons working with the latest advances in scientific knowledge in their fields who are more likely to consult an astrologer than not for life-changing decisions or are devoted to the pursuit of what some may term the greatest superstition of all: religion. Why?
Say, it’s tricky, quite tricky, isn’t it,
To talk to a squirrel or a rock or a tree
Or a painting by your favorite artist
And believe that somehow it can see
The heart of you that can bleed
And give you all that you desperately need?
Or maybe you talk to the farmer as he hoes
Or the doctor you pay two hundred by the hour
Or your friend who is trying on her clothes
Or the starry-eyed fan who brings you a flower
And say there’s a part of you that’s dying inside
A soul-crushing pain from which you can’t hide.
(An ode of sheer gratitude to a wondrous blank space that invites our creative attention)
Memories and refrigerator doors
Blank spaces covered with magnetic miasma
Of memories old, up and coming, and new,
Now I want to remember you, each one,
Refrigerator doors of bygone days
And the door I opened just today.
Italian movie director Franco Zeffirelli’s Jesus of Nazareth(1977) is a classic and possibly the best film representation of the life of Christ. Where many directors of Biblically-based films are ham-handed with dialogue, characterization, and symbolism, Zeffirelli is subtle and nuanced.