Along the rolling hills I hear your mournful singing haunting clear yet windblown.
Under the moon’s vapid eye how can I, elf, to you deny your windsongs?
I’ll keep you under lock and key lest you flee and escape from me as windstorm.
The elvish king shall have you back when he returns the one I lack now windbound.
On Hallow’s Eve we’ll make a swap my child returned, you with your harp, — home windward.
Grace at dVerse challenges us today to write a Compound Word Verse, an unfamiliar form to most ous I daresay. She writes: "The Compound Word Verse is a poetry form invented by Margaret R. Smith that consists of five 3-line stanzas, for a total of 15 lines. The last line of each stanza ends in a compound word and these compound words share a common stem word which is taken from the title. (In the first example below the stem word is “moon” from the title “Moonlighting”; the compound words related to the title are moondust, moonbeams, moonsongs, etc.)
The Compound Word Verse (3 lines) has a set rhyme scheme and meter as follows:
Rhyme Scheme: a,a,b
Syllable/Meter: 8, 8, 3
Click on Mr. Linky to read more and join in!
Honey Humberg had waited for this day all her life.
She’d worked and saved to build the “Humberg Bus” from scratch, designing, commissioning and assembling it, part by part. She painted it in homage to the DIY hippies that were her inspiration, free thinkers and dreamers all. She would tour Europe showcasing her singing talent and the world would fall at her feet.
In the square, the crowd cheered when the Humberg Bus arrived.
They left when she began singing.
“How much you want for the bus?” a man asked.
“One billion pounds,” she said bitterly, turning away.
Dear Rochelle and fellow Friday Fictioneers, This is my second stab at writing for this week’s prompt. I guess I must be out of practice: instead of fictioneering I ranted for a hundred words, posted then banished from inlinkz when I realized a piece of fiction it was not.Back to the photo promptand finding my muse again. :>)
Genre: Fiction; Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt and limit our words to 100 or less.
Click on the frog to read more stories.
Andrea gripped her husband’s hand tightly as Grace ripped open the letter. It was from her birth mother. The fifteen-year-old had made them promise to give it to Grace when she too reached fifteen.
You were loved every moment I carried you. Just wanted you to know that. There won’t be a moment when I don’t love you.
Sighing, Grace looked up from the blunt, childish scrawl, a smile on her face.
“I believe her. She could have thrown me away like a piece of garbage. Speaking of which, Dad, can we get back to fixing up my motorcycle?”
The scirocco blew in our second day in Trieste. We sheltered from the blood rain in an old church. How long? Joan asked. ‘The answer my friend is blowin’ in the wind.’ Not my favorite. Hurrah for May 17th, 1966! ‘Judas!’ a voice yelled from the crowd that day when Bob switched from folk songs to electric guitar. But that year, he wrote my favorite, today anyway. I watched her cradle her sleeping baby. He wrote it when his eldest son was born. It was released on June 22, 1979. A single. “Forever Young.” We looked out. The rain had stopped.
I’ve heard it said that a woman should never be afraid of her own life. Yet I am. Every day the crowd multiplies. I grow old. The room grows smaller. Am I to be buried alive? Not with grave dirt, but with ghosts. The more confined I, the more rampant they. What diabolical art is this, that the dead suck life out of those they abhor? My nights are theirs to engorge upon in hopeless pain, my days spit out remnants of their celebration. For as vines strangle and overgrown briars encroach, my ghosts encircle me. And I am afraid.
Come along and join in with Rochelle’s Friday Fictioneers and Eugi’s Weekly Prompt. Eugi asks us to use any variation on the word prompt (“celebration”).
Seeing a rose, I once said that we stand out like that, red on green, and you reply, tongue-in-cheek, you mean like an ambulance at 3 AM in a Mississippi swamp and I shut up, crushed, like you’d said we were an accident that had been waiting to happen, as if crucial to finding the way is this: there is no beginning or end, just a screeching of brakes, a clang of metal, the jolting of bones, and then the long drawn out police report and insurance claims, a ledger of rights and wrongs, and the spindrift pages in the moonlit night where my heart spills and the nightingale vies with a shrike impaled on a thorny bush that ought to have a bloom, a rose, while someone, no one, looks for a medic to resuscitate the dead in an ambulance at 3 AM.
For Cee's FOTD
and dVerse's Prosery where Merril asks us to use a line from a Jo Harjo poem, “Crucial to finding the way is this: there is no beginning or end,” to write a 144-word piece of prose. Click on Mr. Linky and join in!