Lisa at dVerse Poetics: One True Sentence writes: “Your challenge today, should you choose to accept it, is to pick ONE of Hemingway’s quotes to be inspired by and write a poem. Do NOT use the quote in your poem, but please do include the quote on your post page somewhere, with Hemingway’s name as the source of inspiration. For bonus points, please say a few words about the experience of writing to an idea from the mind of Papa Hemingway.” Channeling Hemingway was a fun challenge for dVerse: his abbreviated diction, especially in dialogue, the unsaid reflected in the landscape as much as in the pools of silence surrounding a character. Click on Mr. Linky and join in!
‘It’s gone the way the mist is burned off the hollows in broken ground when the sun comes out,’ the Colonel said. ‘And you’re the sun.’ – Ernest Hemingway, Across the River and into the Trees (1950)
the teapot boiled the cat began to whistle the man bolted out the world began to tremble
the cat began to whistle the pot was just a thought it was never really there
the man bolted out he was missing his body he left his coat and hat
the world began to tremble we turned the music up nothing was hard to hear
I thought I’d try my hand at some absurdist poetry of the type popularized in the middle of the twentieth century as Grace at dVerse challenges us with a new poetry form: “Today’s poetry form is Trimeric (Trimeric \tri-(meh)-rik), which was invented by Charles A. Stone.
1. Trimeric has 4 stanzas 2. The first stanza has 4 lines 3. The other three stanzas have 3 lines each 4. The first line of each stanza is a refrain of the corresponding line in the first stanza (so 2nd stanza starts with the second line, third stanza starts with the third line, etc.). 5. The sequence of lines, then, is abcd, b – -, c – -, d – -. Note: No other rules on line length, meter, or rhyme. Click on Mr. Linky & join in!
I’ve heard it said that a woman should never be afraid of her own life. Yet I am. Every day the crowd multiplies. I grow old. The room grows smaller. Am I to be buried alive? Not with grave dirt, but with ghosts. The more confined I, the more rampant they. What diabolical art is this, that the dead suck life out of those they abhor? My nights are theirs to engorge upon in hopeless pain, my days spit out remnants of their celebration. For as vines strangle and overgrown briars encroach, my ghosts encircle me. And I am afraid.
Come along and join in with Rochelle’s Friday Fictioneers and Eugi’s Weekly Prompt. Eugi asks us to use any variation on the word prompt (“celebration”).
Seeing a rose, I once said that we stand out like that, red on green, and you reply, tongue-in-cheek, you mean like an ambulance at 3 AM in a Mississippi swamp and I shut up, crushed, like you’d said we were an accident that had been waiting to happen, as if crucial to finding the way is this: there is no beginning or end, just a screeching of brakes, a clang of metal, the jolting of bones, and then the long drawn out police report and insurance claims, a ledger of rights and wrongs, and the spindrift pages in the moonlit night where my heart spills and the nightingale vies with a shrike impaled on a thorny bush that ought to have a bloom, a rose, while someone, no one, looks for a medic to resuscitate the dead in an ambulance at 3 AM.
For Cee's FOTD
and dVerse's Prosery where Merril asks us to use a line from a Jo Harjo poem, “Crucial to finding the way is this: there is no beginning or end,” to write a 144-word piece of prose. Click on Mr. Linky and join in!
Nothing in you, nothing in me, Nothing as far as eye can see Nothing to say who made me, Nothing makes itself plain to me Nothing will be my guide and creed No absolutes but what my thoughts decree Ruler of my own destiny Master of sky, land and sea No limit to whatever desires mingle, set free It’s all about me, from A to Z I’m free to decide what’s best for me What’s wrong for you may be right for me Ask Mother Nature, what’s cruelty? Evolution’s progress, look at me! [SPLAT!] – Last sounds of Nobigbug Butméé
Genre: Poetry Word Count: 100
I’ve been rather under the weather lately but roused myself to participate in Rochelle’s Friday Fictioneers and Eugi’s Weekly Prompt. I’ve read many of the entries already and am inspired. Eugi asks us to use any variation on the top photo or the word prompt (“mingle”). Rochelle asks that we use the photo prompt (above) and limit our words to 100 or less. Check them out!
A word prompt to get your creativity flowing this weekend. How you use the prompt is up to you. Write a piece of flash fiction, a poem, a chapter for your novel…anything you like. Or take the challenge below – there are no prizes – it’s not a competition but rather a fun writing exercise. If you want to share what you come up with, please leave a link to it in the comments at Sammi’s #WWP.
Today, Grace at dVerse asks us to “Meet the Bar” with regards to setting. So I began with that age old phrase, “once upon a time” and discovered that it seemed to be a setting unto itself, one that the speaker and the listener partake of evocatively, symbiotically. Or so I indulge myself in believing.
Once, the old woman/man/animal/tree/rock began, in the ages when spring set in for a millennium water gushed from every nook and cranny of underground wells and the vaulted heavens opened she/he/it paused there was an orchard where a blind child played the rains dancing like fingertips, skimming her face leaving braille-like tales of love and longing the old woman/man/animal/tree/rock sighed, upon the upturned eyes that could not see, the nose, the chin the water savoring their quill-like strokes the papyrus face now a harbinger of things to come so that the blank eyes took on diamond sharpness – here a tear fell, or was it a leaf, or a stir of dust – her breath like the sifting wind among the chaff her words a beat out of time so that the foolish laughed but the earth claimed her as a shepherd’s star one still night in the ages when spring set in for a time.