The Sacrifice

(A retelling of the story of Abraham and Isaac)

Abraham and Isaac, Rembrandt (1634)
Abraham and Isaac, Rembrandt (1634)

A weary journey, a wakeful night,
They left their camp before daylight
An old man carrying the weight of years
Wrinkled cheeks wet with tears
At hearing the young boy at his side
Prattle on with childish pride
That he alone had been chosen
To help his father on this mission.

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God Sings

It’s not so difficult to believe that God, the Creator of the universe, sings. After all, he made so many creatures that can sing including humans (to varying degrees), birds, crickets, wolves, frogs, dolphins, yes, even mice!

There is singing in all of creation in one form or another, the sounds of nature in the air, earth, and sea. There are those who have believed in the singing of the stars, the music of the spheres as they move about it space.

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Borrowed Time

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I borrow, you borrow, we borrow
She borrows, he borrows, they borrow
The world borrows and borrows to joint sorrow
Hoping there will always be tomorrow.

What, then, do we borrow to our self-destruction
But justice delayed for the satisfaction
Of a life of pursuing our corrupt passion
And ignoring those who need our compassion?

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The Tricky Quandary

Say, it’s tricky, quite tricky, isn’t it,
To talk to a squirrel or a rock or a tree
Or a painting by your favorite artist
And believe that somehow it can see
The heart of you that can bleed
And give you all that you desperately need?

Or maybe you talk to the farmer as he hoes
Or the doctor you pay two hundred by the hour
Or your friend who is trying on her clothes
Or the starry-eyed fan who brings you a flower
And say there’s a part of you that’s dying inside
A soul-crushing pain from which you can’t hide.

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A Street Scene Says A Lot

Screen Shot 2016-04-05 at 11.36.27 AM

Italian movie director Franco Zeffirelli’s Jesus of Nazareth (1977) is a classic and possibly the best film representation of the life of Christ. Where many directors of Biblically-based films are ham-handed with dialogue, characterization, and symbolism, Zeffirelli is subtle and nuanced.

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