I remember taking our kids to Halloween parties hosted by people we knew, but only once or twice taking them trick or treating in our neighborhood, always hovering in the background, half-trepidatiously (is that a word?).
A penny shiny from the gutter she stoops to pick places auspice in her pocket passing people on the pavement like a ghostly apparition passing through an open door escapes into the vellichor* of shadowed selves in memory’s mist who greet her on Halloween at Harry’s Magic bookshop.
*vellichor: The wistfulness of a second-hand bookshop.
Eugi's Weekly Prompt - "Halloween"
Punam's RDP Saturday - "Apparition"
Sammi's WWP #233 - 48 words exactly, ""Vellichor"
Top Image credit: sergio omassi from Pexels
Bottom Image Credit: RDP Saturday
He’s got no heart that’s plain for us to see yet adamantine chains of our own greed mocking bind our flesh permission securing to multiply lies that his desires ours would circumscribe
She’s got no heart that we all clearly know obscure it we must the voters to con paid consultants we diabolical masters creating sly illusions to blind our client’s tribe
Lisa at dVerse: Poetics -- "Halloweeny Humans" asks us to
write about a dislikable human trait.
She also introduces us to a new poetic form, the Duodora,
which we can choose to use.
a quatorzain made up of 2 septets.
syllabic, 4/6/5/5/5/10/10 syllables per line.
rhymed Axxxxxb Axxxxxb L1 is repeated as a refrain that begins the 2nd stanza. x is unrhymed.
Enjoy more at Mr. Linky.
His sing-song question fell on no ears but hers, deaf all others to its celebratory tones the night of All Hallow’s Eve.
Tenor voice attuned to hearth, lights in hands they enter to find soul cakes laid on barrels, beer and apples.
None heard him but her, would never leave her till her heart stopped, like his: a toast before departing, as midnight strikes.
“I will come and sing no more ’til this time next year.”
Soul cakes? A-souling? Unfamiliar with these terms are you, like I was? According to wikipedia, soul cakesare spicy shortbread-like biscuits given out to “soulers” who come round during the days of Allhallowtide singing and saying prayers, a’souling, in fact.
One traditional song, “A-Souling,” was made familiar to us by Peter, Paul, and Mary who sung it as a Christmas song, which for most parts of England it has become. The group Lothlorien sings it in the traditional mood of Allhallowtide.
Along the rolling hills I hear your mournful singing haunting clear yet windblown.
Under the moon’s vapid eye how can I, elf, to you deny your windsongs?
I’ll keep you under lock and key lest you flee and escape from me as windstorm.
The elvish king shall have you back when he returns the one I lack now windbound.
On Hallow’s Eve we’ll make a swap my child returned, you with your harp, — home windward.
Grace at dVerse challenges us today to write a Compound Word Verse, an unfamiliar form to most ous I daresay. She writes: "The Compound Word Verse is a poetry form invented by Margaret R. Smith that consists of five 3-line stanzas, for a total of 15 lines. The last line of each stanza ends in a compound word and these compound words share a common stem word which is taken from the title. (In the first example below the stem word is “moon” from the title “Moonlighting”; the compound words related to the title are moondust, moonbeams, moonsongs, etc.)
The Compound Word Verse (3 lines) has a set rhyme scheme and meter as follows:
Rhyme Scheme: a,a,b
Syllable/Meter: 8, 8, 3
Click on Mr. Linky to read more and join in!
Strange the tale of an elven king’s son Who lured a maid into the land of the young. There she took tea, fated never to return To the land of the living where hopes reigned.
Once she escaped her besom buddies of elven-land But euphoria died when her long black locks turned white As haunting memories of the land of the young Made her yearn for the revelry of elven friends.
On the steps of a cathedral she stood skyward gazing Behind her from the woods the elven king’s son stood imploring But she had found a love beside which earthly magic paled A love eternal from her Maker that over all prevailed.
“I cannot go with you, sweet heir of elven halls Though surely will I miss you and all your kith and kin. I have chosen wisely with wisdom from above To live and die a daughter of the God who does me love.”
The elven lords and ladies left behind remained wondering Their days of wine, their nights of dance, youth forever blooming Thrown aside by a poor maid as if they all were nothing Impressed them not, sincere or not, and soon she was forgotten.
Crimson's Creative Challenge #154 prompt: Image credit Crispina Kemp
RagTag Daily Prompt Thursday: "Euphoria"
Sammi's 13 Days of Samhain vol ii: Day 2 – "Besom Buddies"
Eugi's Weekly Prompt: "Haunting"
The sun had taken flight with midnight near The killer stops uncertainly, afraid, Behind a sound he hears, sinister, clear, A hollow breathing, ice-cold hand now laid Upon his shoulder, grips; he springs away, As if the fiends of hell were at his heels, But still pursued, his face with terror, gray. At last he turns, with courage bold, then squeals As dead Lucille peals, “Now see how it feels!”
Well, Halloween’s just around the corner isn’t it? 🎃👻 Update: And right on cue, I’m number 13 on Mr. Linky! Haha.
Laura at dVerse's MTB: "Since today is the 9th of the 9th month it is fitting for that numeral to inform today’s poetry form – so let’s meet The Novelinee!. . . Yes, it’s a nine line stanza poem overlaid with this rhyme sequence:
a,b,a,b,c,d,c,d,d" also written in iambic pentameter.