Seeing a rose, I once said that we stand out like that, red on green, and you reply, tongue-in-cheek, you mean like an ambulance at 3 AM in a Mississippi swamp and I shut up, crushed, like you’d said we were an accident that had been waiting to happen, as if crucial to finding the way is this: there is no beginning or end, just a screeching of brakes, a clang of metal, the jolting of bones, and then the long drawn out police report and insurance claims, a ledger of rights and wrongs, and the spindrift pages in the moonlit night where my heart spills and the nightingale vies with a shrike impaled on a thorny bush that ought to have a bloom, a rose, while someone, no one, looks for a medic to resuscitate the dead in an ambulance at 3 AM.
a ginkgo’s viewpoint
is so simple
God our Maker
are you hearing?
oh stop and listen!
Andrea watched as the trailer rig pulled into their lot. This was a new beginning, for them and their children.
She turned to look for George who was standing by a small creek looking lost.
“I know what you’re thinking,” she whispered in his ear. “You’re wondering why we lived like kings for so long when we could have been happy as paupers like now.”
“I never meant you to have to start over like this.” His voice broke. “I’m sorry.”
“Hey! We’re bankrupt, not dead. And all I need is the air that I breathe and to love you.”
genre: fiction; word count: 100; Rochelle Wisoff-Fields kindly invites us to join the Friday Fictioneers in their weekly creative quests of a hundred words or less. Photo prompt © Ted Strutz. Click on the frog and join in!
If I had more arms to reach You
Would that help? But You say,
Two will do now
To reach my neighbor.
Check out more flower photography at Cee’s FOTD challenge for April 25, 2021
In the sky through the clouds you can see silver haze
Dispersed like the sheen of a dragon of steel
Look too long and you’ll swear that your gaze
Is returned and the dragon above sees its prey.
Do not run, do not hide, or you’ll be her next meal
Say charms, not too loud, dance a jig, maybe two
If the fear in your eyes, it can see, it can feel
Then no magic on earth can save you or save me
As she comes, whisper soft, murmur tales of lost love
Spin dreams of a land where a knight stays true blue
Melt her heart, let her eyes fill with tears, and above
Your bent head she will breathe not her fire, but her cheer.
Then your heart it will swell, you will ask all you will,
Deep lore of the earth, wondrous songs of the sea
All to you she’ll impart, from her lips it will spill
Then she’ll fly to her lair over clouds over moons.
BJÖRN RUDBERG at dVerse challenges us today to write our verse in Anapestic Tetrameter, and so I’ve attempted, with a dropped syllable in each quatrain’s second line. See more dVerse offering and join in by clicking on Mr. Linky.
When in the concatenation of bells that toll
I stop at dusty pools of ghost-bearing scents
The rains having come and gone, ashes remain
The acrid smoke of the dead stings my eyes
Choking the young, ridiculing the old
I turn away to the bowers of forest glades
Where You await storing love’s incense
And I like a wanderer home at last
Stand strong in Your warm embrace
Escaping the dragon of the past
To rise with You to eternal joy.
Word Count: 100; Genre: Realism
The Only Way
“You’re in my world now. What do you think of it?”
“Like a fish out of water. Like I stand out in an unpleasant way, like I don’t belong.”
“Does that offend you? Want out?”
“Not really. I mean, it’s not your world I want. It’s you.”
“To know me is to know the world I came from. You understand?”
“I do. But you’re still missing the point. It’s you that makes my idiotic world and yours worth knowing. I couldn’t care less otherwise.”
“So our ‘love covers a multitude of sins’, in both our worlds?”
“It’s the only way.”
Rochelle Wisoff-Fields very kindly invites us to join the Friday Fictioneers in their weekly creative quests of a hundred words or less prompted by a photo.
He was a wandering musician, traversing continents, twanging on his banjo, a wordless witness to a universal language.
No one knew his origins.
Still the story is told that he came from another world. And one came seeking him whose betrayal had left him mute. Powerless to make him return, she took with her the memory of his youthful fingers dancing on strings, his eyes expressive of no other purpose than seeking nameless tunes of faithless love.
Raindrops fall like tears on tree-trunk curtains, ethereal remnants of her departure from this world.
In a midnight café, a tuneful banjo plays.
The Old Man and the Sea
“Bleu, bleu, l’amour est bleu,” crooned the old man beneath his cap
Remembering the promise he had failed to keep as a lad of nineteen
He stood before the sea, and his heart surged piteously
Remembering the promise he had failed to keep as a man of thirty-two
“Comme l’eau, comme l’eau qui court,” sang he, wading into surf
Remembering the promise he had failed to keep as a cavalier of fifty-four
His blood ran cold as a sea-voice joined in
“Fou comme toi et fou comme moi,”
then down he went
in a sea-embrace
till he sang