For Cee's FOTD, September 2, 2021:
See the gorgeous sunflower on Cee's site.
Flower of the Day Challenge (FOTD).
"Please feel free to post every day or when you you feel like it.
Don’t forget that my FOTD challenge accepts gardens, leaves and berries as well as flowers."
Now I know that poetry is a razor blade slipped into a caramel dipped apple of eve’s desire sharp and tangy . . .
is as love’s wounding rigor mortis of bites ennui-soaked languid post-mortem of shamanic rites . . .
is a coroner’s tableau of victims bodies stretched out on gurneys for the inquest after the serial killer slips free of the electric chair because the judge knew his brother cain at harvard law . . .
is hummingbirds and bats dandelions, a lover’s hand broken stalks, memories . . .
is my heart laid out across the sky a constellation charted out of unknown algorithms multiplied to infinity dove’s wings rapidly beating now.
Today Victoria is guest-hosting at dVerse: Meeting the Bar and asks us to write a "Solilo-Quoi?", paying extra attention to form or other poetic devices in our self-talk. Click Mr. Linky for more and join in.
Dear Rochelle and fellow Friday Fictioneers, This is my second stab at writing for this week’s prompt. I guess I must be out of practice: instead of fictioneering I ranted for a hundred words, posted then banished from inlinkz when I realized a piece of fiction it was not.Back to the photo promptand finding my muse again. :>)
Genre: Fiction; Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt and limit our words to 100 or less.
Click on the frog to read more stories.
Andrea gripped her husband’s hand tightly as Grace ripped open the letter. It was from her birth mother. The fifteen-year-old had made them promise to give it to Grace when she too reached fifteen.
You were loved every moment I carried you. Just wanted you to know that. There won’t be a moment when I don’t love you.
Sighing, Grace looked up from the blunt, childish scrawl, a smile on her face.
“I believe her. She could have thrown me away like a piece of garbage. Speaking of which, Dad, can we get back to fixing up my motorcycle?”
Seeing a rose, I once said that we stand out like that, red on green, and you reply, tongue-in-cheek, you mean like an ambulance at 3 AM in a Mississippi swamp and I shut up, crushed, like you’d said we were an accident that had been waiting to happen, as if crucial to finding the way is this: there is no beginning or end, just a screeching of brakes, a clang of metal, the jolting of bones, and then the long drawn out police report and insurance claims, a ledger of rights and wrongs, and the spindrift pages in the moonlit night where my heart spills and the nightingale vies with a shrike impaled on a thorny bush that ought to have a bloom, a rose, while someone, no one, looks for a medic to resuscitate the dead in an ambulance at 3 AM.
For Cee's FOTD
and dVerse's Prosery where Merril asks us to use a line from a Jo Harjo poem, “Crucial to finding the way is this: there is no beginning or end,” to write a 144-word piece of prose. Click on Mr. Linky and join in!