Common-Place Jotting: “Planting Trees”

Common-Place or “Locus Communis” — a place to remember

John Updike (1932-2009) still casts a long shadow on the literary landscape. His writings were varied and many, but his craftsmanship set the standard among his contemporaries. He was only one of four writers who won the Pulitzer Prize for fiction more than once.

Born in Reading, Pennsylvania, he once described his subject as “the American small town, Protestant middle-class” everyman. His clarity of style and expression is the hallmark of his writing, causing a critic for The Guardian to warn, “The clarity of Updike’s poetry should not obscure its class.”

The following poem quickly became one of my favorites for its simple directness and descriptive force in conveying the grace available in the simple act of “Planting Trees.” The poem is from his fifth collection of poetry, Facing Nature.

Planting Trees                                                                 John Updike

Our last connection with the mythic.
My mother remembers the day as a girl
she jumped across a little spruce
that now overtops the sandstone house
where still she lives; her face delights
at the thought of her years translated
into wood so tall, into so mighty
a peer of the birds and the wind.

Too, the old farmer still stout of step
treads through the orchard he has outlasted
but for some hollow-trunked much-lopped
apples and Bartlett pears. The dogwood
planted to mark my birth flowers each April,
a soundless explosion. We tell its story
time after time: the drizzling day,
the fragile sapling that had to be staked.

At the back of our acre here, my wife and I,
freshly moved in, freshly together,
transplanted two hemlocks that guarded our door
gloomily, green gnomes a meter high.
One died, gray as sagebrush next spring.
The other lives on and some day will dominate
this view no longer mine, its great
lazy feathery hemlock limbs down-drooping,
its tent-shaped caverns resinous and deep.
Then may I return, an old man, a trespasser,
and remember and marvel to see
our small deed, that hurried day,
so amplified, like a story through layers of air
told over and over, spreading.

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A Common-Place Jotting: Keats

Common-Place or “Locus Communis” — a place to remember

A sonnet by John Keats on the melancholy shortness of a day spent away from the city:

To one who has been long in city pent,
         ‘Tis very sweet to look into the fair
         And open face of heaven,—to breathe a prayer
Full in the smile of the blue firmament.
Who is more happy, when, with heart’s content,
         Fatigued he sinks into some pleasant lair
         Of wavy grass, and reads a debonair
And gentle tale of love and languishment?
Returning home at evening, with an ear
         Catching the notes of Philomel,—an eye
Watching the sailing cloudlet’s bright career,
         He mourns that day so soon has glided by:
E’en like the passage of an angel’s tear
         That falls through the clear ether silently.

A Common-Place Jotting: Tintern Abbey

Common-Place or “Locus Communis” — a place to remember

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Tintern Abbey in 1794, a watercolour by J. M. W. Turner

From William Wordsworth’s  Lines Written (or Composeda Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798: this benediction of nature’s guardian light on his sister, with whom he went on a walking tour, inspiring this homage to nature:

.  .  . and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; ’tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e’er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations!