Canoop! the sound of your loop-tee-do Enough! the slough of your despondency Wooditch! the whinge of your panicky The meteor’s coming ‘ere election day!
Cannip the conniption fit, buddit the funk Swallow the glut of slubbish bilocracy Gnash, says the prophet Neal deGrasse Tyson, we’ll die in a blaze ‘ere election eve!
O Meteor of space! O Deliverer of grace! You’ll spare us, ‘ere you dare us, with crater Dustiferous, injurious, deleterious bringer Of sweltering doom ‘ere we galood election gloom!
Come the third of November, we’ll never remember Who’s Harris, Who’s Donald, What’s Joe Biden hidin’? We won’t know a thing when the meteor’s oncomin’ O’er helter-election-welter, combustin’ election eve!
Word count: 100
written for Rochelle's Friday Fictioneers
click on the friendly frog for more tales of a hundred words or less
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Letter to No Lycidas
No Lycidas are you, my son, no watery bier nor desert grave holds you. But in the crisp of autumn air, your countenance lights a distant town, another’s home a place where you from me remain. Yet I wonder, pray one day I’ll see you striding back to see me here; that one day that old mailbox will find you on a daily chore or whether the woods beyond will gape to hear your lusty songs of praise to the God of miracles and a Son who freeing the soul from evil design heals faultless the sutures of the mind.
I thought I’d write this quadrille (prompt word “magnet”) in anticipation of Halloween with its cornucopia of bat wings and eerie skeletal thrills. Quadrille Monday at dVerse limits each offering to 44 words, so be warned!
She walks in a drysalter’s den wearing death, her subfusc, scattering acedia’s magnetic coils, like iron filings shot hard against fate’s blind eyes, their littoral currents crashing against her noon day commerce of herbs, bone dust, pharmacopeia, against concinnity escaping fruitless desire, skulking caitiff.
“Am I loved?” she asked wonderingly, throwing back hair, sultry under silken shawl scrutinizing her groomed shimmering form. He walked glancingly past a mirror then stopped to take a more admiring look. “Darling?” Reluctantly she turned from her reflection against the dark sky; he tore himself from his dashing figure. “How asinine, dear heart,” he ejaculated. “To love oneself is most divine!” Embracing by mirror and window they stood, idols with eyes of glass.
Jude's The Saturday Symphony #14: "Romance"
Sammi'sWeekend Writing Prompt: use "Asinine" in prose or poem with exactly 74 wordsCyranny's Word of the Day Challenge: "sultry"
It’s “Meeting the Bar” at dVerse, where Bjorn asks us to use the autocomplete function in Google to generate lists that transport us to imaginative poetic heights. Check them out by clicking Mr. Linky and join in!
I began with typing in “Give me” as a search term which led me down rabbit holes ending with typing in “silence” midway, trying to find my way out of the dark wood in which I’d ended. Beware Google.
Give me one reason, sister silence,
give me directions home, oh sister do you hear?
give me the time of day a nightingale sings
Silent bays, skies, silent rage and silent lambsmust sit on silent hills, searching Google in ThraceSatyr Silenus, do you hear, your drunken nightsby Dionysus's side have all led you to make a kingturn a daughter's flesh to gold, oh, oh, oh!
Give me liberty sits enthroned, untutored,
give me love lyrics for dirty ears, Alexa!
ask tongueless Philomela, oh sister hear!
"inappropriate predictions" don't you think?
Google, show me the severed head of Itys unmourned
unseen, "I'm feeling lucky," tereu, tereu
Non, silento! Basta! Enough! Give me loveI don't need the win, just directionshome
from here to there. Give me Jesus. Please.
Today’s prompt on dVerse Poetics, “You Want It Darker,” is courtesy of Lucy who asks us to “write a poem about the transient notion of life to death, or topics germane to the theme. With a twist.” The twist is to write a ballad that “will/can include dark, gothic themes and imagery . . . . It’s October and we’re looking for some dark poetry, publies.”
I’ve taken as inspiration a painting by Polish artist Zdzisław Beksiński who once said, “What matters is what appears in your soul, not what your eyes see and what you can name.”
between October’s mists my ring on your finger your fingers in her hair my heart consumes fire
wonders casual causality between your white-rowed teeth her crimson, wet-bladed lips crimes hallowed like wine
when the moon fell from the sky on a common day of sepia-tints the ground bled red nightmares rode split tree trunks
into a necropolis of fears where decayed hope breeds madness the food of the gods
where desires feign love where mirrors that were eyes open silently bend inward and scream
till I wake
For more on Zdzisław Beksiński's paintings, click here.
Click Mr. Linky for more poems and join in.
“Iglish”: palm-burst noise City garden cries havoc Blunt carpe diem Inbred posturing front rows Masks of covetous fury.
The English tanka form has a 5-7-5-7-7 syllabic structure and is written from the poet's point of view.
Update: I think I counted right on a do-over of the second and third lines a day later and a tanka shorter! 😅
For Colleen's Weekly Tanka Tuesday Challenge and Cee's FOTD challenge.
She came sailing in — foxgloves in murder digitalis shape-shifters in book-covered heat an Austen novel in her head pharmacopœia of bottled lust in everyone else’s closet Gothic unholstered in a room of Macbeths unshriven, exhumed desire — sailing in, lighting torches blanketed fire, lavender swan.
Common-Place or “Locus Communis” — a place to remember
I don’t know about you, but I’m hanging on to summer as long as I can! For fellow simpaticos, here’s a late summer bloom and a Christina Rossetti poem to help.
The lily has a smooth stalk,
Will never hurt your hand;
But the rose upon her brier
Is lady of the land.
There's sweetness in an apple tree,
And profit in the corn;
But lady of all beauty
Is a rose upon a thorn.
When with moss and honey
She tips her bending brier,
And half unfolds her glowing heart,
She sets the world on fire.
-- Christina Rossetti (1830-1894)
Portrait of Christina Rosetti by Dante Gabriel Rosetti