Relationships – This Jolly Beggar

No (Wo)man’s Land

Warning: Sensitive topic broached.
Björn at dVerse: MTB asks us to write a cadralor, which poetic form consists of "5, unrelated, numbered stanzaic images, each of which can stand alone as a poem, is fewer than 10 lines, and ideally constrains all stanzas to the same number of lines. Imagery is crucial to cadralore: each stanza should be a whole, imagist poem, almost like a scene from a film, or a photograph. The fifth stanza acts as the crucible, alchemically pulling the unrelated stanzas together into a love poem. By “love poem,” we mean that your fifth stanza illuminates a gleaming thread that runs obliquely through the unrelated stanzas and answers the compelling question: 'For what do you yearn?'" Click on Mr. Linky to join us.

Photo by Karolina Grabowska on Pexels.com

A bird cries over the tele-
phone wire, is it you? is it done?
over black shrouded head

Shiny pruning shears in her gloved
hands, methodically apply to de-
locate dead heads, snip, snip

There once was a small torso in a
womb severally dislodged by forceps
into medical waste

If death comes in slippered feet,
will they curl at the ends
or just your lips? Mother?

All the ghosts have left, barren
in winter, the autumn leaves twist
the sea breezes rustle in her mind.

The Load

Genre: Fiction; Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt (© Sandra Crook) 
and limit our words to 100 or less.

I counted them too, you know: every turn, every curve, every meter. Every pothole, aggravation, near disaster.

For what it’s worth, the load was never the point.

It was where I was going.

My only regret is you were stuck with me for every millimeter of it, and you hated it.

Life was too slow for you.

It was too fast for me.

I had a load to carry: responsibility to those who depended on me.

You were looking for an escape.

I was looking at the journey’s end.

I wish you could know now it was worth it.

Now I know that poetry
is a razor blade
slipped into a caramel
dipped apple of
eve’s desire
sharp and tangy . . .

is as love’s wounding
rigor mortis of bites
ennui-soaked
languid post-mortem
of shamanic rites . . .

is a coroner’s tableau of victims
bodies stretched out on gurneys
for the inquest after the serial killer
slips free of the electric chair
because the judge knew his brother cain
at harvard law . . .

is hummingbirds and bats
dandelions, a lover’s hand
broken stalks, memories . . .

is my heart laid out across the sky
a constellation charted out of unknown
algorithms multiplied
to infinity
dove’s wings
rapidly beating
now.

Today Victoria is guest-hosting at dVerse: Meeting the Bar and asks us to write a "Solilo-Quoi?", paying extra attention to form or other poetic devices in our self-talk. Click Mr. Linky for more and join in.

Letter from the Past

Dear Rochelle and fellow Friday Fictioneers, This is my second stab at writing for this week’s prompt. I guess I must be out of practice: instead of fictioneering I ranted for a hundred words, posted then banished from inlinkz when I realized a piece of fiction it was not. Back to the photo prompt and finding my muse again. :>)

Genre: Fiction; Word count: 100
Come along and join in with Rochelle’s Friday Fictioneers.
Rochelle asks that we use the photo prompt and limit our words to 100 or less. 
Click on the frog to read more stories.

Andrea gripped her husband’s hand tightly as Grace ripped open the letter. It was from her birth mother. The fifteen-year-old had made them promise to give it to Grace when she too reached fifteen.

You were loved every moment I carried you. Just wanted you to know that. There won’t be a moment when I don’t love you.

Sighing, Grace looked up from the blunt, childish scrawl, a smile on her face.

“I believe her. She could have thrown me away like a piece of garbage. Speaking of which, Dad, can we get back to fixing up my motorcycle?”

Unexpected

Today, make an opportunity to give someone an unexpected treat, someone who’s not expecting it, someone who’s in need of it, someone who’s outside the circle of your usual community.

As life becomes harder and more threatening, it also becomes richer, because the fewer expectations we have, the more good things of life become unexpected gifts that we accept with gratitude.
Etty Hillesum (1914-1943)

For Cee's FOTD

The Accidental Rose

Seeing a rose, I once said that we stand out like that, red on green, and you reply, tongue-in-cheek, you mean like an ambulance at 3 AM in a Mississippi swamp and I shut up, crushed, like you’d said we were an accident that had been waiting to happen, as if crucial to finding the way is this: there is no beginning or end, just a screeching of brakes, a clang of metal, the jolting of bones, and then the long drawn out police report and insurance claims, a ledger of rights and wrongs, and the spindrift pages in the moonlit night where my heart spills and the nightingale vies with a shrike impaled on a thorny bush that ought to have a bloom, a rose, while someone, no one, looks for a medic to resuscitate the dead in an ambulance at 3 AM.

For Cee's FOTD 
and dVerse's Prosery where Merril asks us to use a line from a Jo Harjo poem, “Crucial to finding the way is this: there is no beginning or end,” to write a 144-word piece of prose. Click on Mr. Linky and join in!

More Arms to Reach You

If I had more arms to reach You
Would that help? But You say,
Two will do now
To reach my neighbor.

Eyes upward, arms outward: Happy Lord’s Day

“This is my commandment, that you love one another as I have loved you.
John 15:12

Check out more flower photography at Cee’s FOTD challenge for April 25, 2021

The Only Way

Word Count: 100; Genre: Realism

The Only Way

“You’re in my world now. What do you think of it?”
“Like a fish out of water. Like I stand out in an unpleasant way, like I don’t belong.”
“Does that offend you? Want out?”
“Not really. I mean, it’s not your world I want. It’s you.”
“To know me is to know the world I came from. You understand?”
“I do. But you’re still missing the point. It’s you that makes my idiotic world and yours worth knowing. I couldn’t care less otherwise.”
“So our ‘love covers a multitude of sins’, in both our worlds?”
“It’s the only way.”

Rochelle Wisoff-Fields very kindly invites us to join the Friday Fictioneers in their weekly creative quests of a hundred words or less prompted by a photo.

Click on the frog to join the party!

Curtain Fall

Rochelle Wisoff-Fields invites us weekly to join the Friday Fictioneers in their creative quests of a hundred words or less, prompted by a photo. Click on the frog to join in!

Curtain Fall

He was a wandering musician, traversing continents, twanging on his banjo, a wordless witness to a universal language.

No one knew his origins.

Still the story is told that he came from another world. And one came seeking him whose betrayal had left him mute. Powerless to make him return, she took with her the memory of his youthful fingers dancing on strings, his eyes expressive of no other purpose than seeking nameless tunes of faithless love.

Raindrops fall like tears on tree-trunk curtains, ethereal remnants of her departure from this world.

In a midnight café, a tuneful banjo plays.

The Old Man and the Sea

Rochelle Wisoff-Fields invites us weekly to join the Friday Fictioneers in their creative quests of a hundred words or less, prompted by a photo. Click on the frog to join in!

The Old Man and the Sea

“Bleu, bleu, l’amour est bleu,” crooned the old man beneath his cap
Remembering the promise he had failed to keep as a lad of nineteen
He stood before the sea, and his heart surged piteously
Remembering the promise he had failed to keep as a man of thirty-two
“Comme l’eau, comme l’eau qui court,” sang he, wading into surf
Remembering the promise he had failed to keep as a cavalier of fifty-four
His blood ran cold as a sea-voice joined in
“Fou comme toi et fou comme moi,”
then down he went
in a sea-embrace
till he sang
no
more.

Continue reading “The Old Man and the Sea”